Meet the judges: Ariane Bigot, associate fashion director of Première Vision Paris
22 June 2015 by Roger Tredre in Fashion, Sponsors, Judges & Champions
For the past 15 years, Ariane Bigot, associate fashion director of Pascaline Wilhelm, has worked directly with Première Vision. Now she brings her wealth of experience to the task of judging the award winners at Texprint 2015.
Première Vision Paris – the world leader event for fashion industry professionals– is held twice yearly in the French capital and needs no introduction. Known to most people in the business simply as PV, it’s the must-see event of the year for anyone in the fashion and textile business.
Première Vision Designs, the specialist design show formerly titled Indigo, sits within the main PV and is a long-running major sponsor of Texprint.
Première Visions Designs, February 2015
A highlight of the year for Texprint designers is the chance to exhibit at Première Vision Designs in September (specifically September 15–17 this year). This opportunity has launched the careers of many generations of designers, some of whom return to PV later with their own studios.
PV is also where the Texprint Awards presentation is held, so it’s a key part of the calendar for Texprint – the place where Texprint interlinks with the rest of the international industry.
Ariane Bigot is very familiar with Texprint’s strong record for discovering design talent. She has worked closely with fashion director Pascaline Wilhelm since 2000 on the creative direction of PV.
She studied textiles at ENSCI-ANAT, and later studied in England at the University of Derby. Before joining the PV creative team, she worked at Galeries Lafayette for two years and Paris-based trend forecasters Peclers for six years.
Ariane with Pascaline Wilhelm and the panel judging the PV Awards (including Professor Clare Johnston RCA, centre)
Tell us about your personal connections with the UK.
I spent six months studying in Derby. I really liked the way of teaching art and fine art in the UK. I had the feeling that the pedagogy pushes students to explore their own creativity, to look for their own style with good technical support from the teachers. I also go to London for art exhibitions and shopping.
Professionally, I have some contacts with British textile mills exhibiting at Première Vision Fabrics. Personally, I have a friend teaching weaving in England – and a brother living in Cardiff for 17 years; he’s a researcher, a project engineer at Cardiff University.
Please explain how the Fashion Team at PV works, and what your work involves.
The fashion team is led by Pascaline Wilhelm, who manages all Première Vision Fashion information and organises new projects. She has an overview of each branch of Première Vision – Yarns, Design, Fabrics, Accessories, Leather, Manufacturing, Denim, in order to guarantee the coherence and specific relevance of fashion and trend information. In our team, we always share projects and ideas. Each member has specific missions, depending on their specific specialities. To be an effective team, we have to be able to use our creative process in order to serve the creativity of others – firstly, using the fashion information dedicated to the exhibitors, and secondly, using tools and information prepared for the buyers and visitors. The quality of this information comes from our capacity to share ideas, different points of view and most of all, working as a united group. My specific projects are focused on Première Vision Fabrics, on trends information, and on the materials and patterns selections for the forums. The fabrics and patterns we receive each season are really great starting points for our exchange.
Ariane with members of the PV team
After working at PV for 15 years, you must have seen a great deal of Texprint designers’ work?
Yes, it's always a fresh and inspiring moment. Full of ideas, enriched with many different aesthetic points of view and graphic experimentations.
How important are organisations such as Texprint in your view?
In our sector, young fashion and textile designers and students are the players of tomorrow. Promoting the meeting between them and the industry is a key for our future. Organisations such as Texprint are like a breeding ground for them to grow – a springboard for young creative people.
What do you look for when you are judging a design award?
Creativity, originality, boldness, aesthetic commitment, a good colouristic approach, search for meaning, graphic dexterity.
How – and where – do you find creative inspiration for your own work?
Everywhere: in art, design, fashion, cinema, web, in street art and daily life, and also in exchanges with textile and fashion experts during the creative workshops organized by Première Vision. Also in all the fabrics and patterns samples that we receive each season from the exhibitors of Première Vision. Fabrics and designs collections continue to surprise me over the past 15 years – each season I'm so impressed by the creativity of the textile industry participating in our salons.