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Texprint 2012: weave wizards

9 January 2013 by TexSelect in Fashion, Home, Interiors & Auto

Proof if needed that the ancient craft of weaving is in the ascendant: Texprint 2012 weave designers couple patience and precision with a love for the physicality and excitement of creating fabric from scratch, and their work is being snapped up by international fashion and interiors companies.

Lisa Bloomer is passionate about colour and sustainable practices, and is continually exploring new ways to succeed in her ”fight against the geometric.” Inspired by looking through windows at ever changing sky and cloud patterns above the city’s high-rise buildings, Lisa focuses on capturing transitory movement in her work. This spontaneity is tangible in all her designs, she uses colour in a fresh and dynamic way and achieves many unique effects by first hand painting on the warp.

Lisa’s jacquard designs are woven bespoke by Thomas Ferguson Irish Linen the only Irish linen damask weaver still remaining in Ireland.  She aims to source local fibres such as European hemp, linen and British wool.

Textile: ©Dominique Caplan

Dominique Caplan creates quirky and energetic concepts for menswear. Fascinated by the technical process of weaving, her primary research involved creating characters and models for games to develop her ideas of fun and fantasy. By working in monochrome with added shots of bright colour, Dominique quietly references Bridget Riley’s black and white optical illusion patterns.

Textile: ©Sophia Fenlon

Sophia Fenlon’s work is inspired by ornate ecclesiastical decoration and stained glass. Catholic traditions and the Renaissance are references for Sophia’s work created for both fashion and interiors. Sophia says, she is “intrigued by the weird and wonderful, and the exploration of extreme extra weft patterning, which gives rise to intricately constructed woven designs.”

Textile: ©Jacquie Lefferts

Inspired by Indian maharajahs, brocades and heavy military embroidery, Jacquie Lefferts creates opulent fabrics using metallic yarns. Jacquie has also re-created lace effects using a Leno weave technique to great effect.  Having studied at FIT in New York for two years, Jacquie then completed her BA at Chelsea College of Art & Design before being selected for Texprint.

Fantasy and surrealism are aspects that inspired Alix Massieux’s fabric collection. Although a weave specialist, Alix is driven to mix techniques and experiment with embroidery. To read more, click here.

Textile: ©Sophie Manners

Sophie Manners, a graduate of the Royal College of Art, was selected as winner of the second Woolmark Texprint Award in support of the Campaign for Wool Indigo/Première Vision in September. Sophie won the prize for her superb woven textile designs developed with 60% or more Merino wool.  Sophie loves colour and texture and being playful with these two elements. It was her reinvented traditional woven pieces on the theme of hair and fur, and her experimental approach to constructing fabrics with often unexpectedly tactile surfaces, that caught the judges’ attention. In November Sophie completed a seven-week internship with Taroni in Como, a unique opportunity to experience working in textiles in Italy.

Textile: ©Sophie Reeves

Finally, captivated by the physicality of creating woven fabrics and inspired by 1930’s fabric design and Russian Constructivism, Sophie Reeves loves to mix graphic pattern with “random outbursts” of additions such as applied crystal decoration. In November Sophie finished a seven-week internship with Luigi Verga, Como – while there with five other Texprint designers, enjoying an invaluable experience gathering visit to the Missoni and Ermenegildo Zegna headquarters.

Sophie is one of two designers selected by Lululemon Athletica as winners of the inaugural Lululemon Texprint Award, winning not only £1,000 but also a three-month paid internship at Lululemon headquarters in Vancouver, Canada, starting this month (the other winner is Manri Kishimoto).

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TexSelect is a registered charity, entirely funded by the generous sponsorship of industry, by British charitable foundations, and by individuals connected to the industry. All believe wholeheartedly in supporting the next generation of textile design talent and in encouraging innovation and excellence.

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